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The transverse flute was one of the most popular instruments in the second half of the 18th century, in particular among amateurs, the so-called 'Liebhaber'. In consequence, there was a huge demand for music for the transverse flute, and as a result we see a large production of chamber music with flute. There is something distinctly homely about Haydns London Flute Trios. The transparency of the texture and modest technical demands on both performer and listener combine to conjure up an attractive simplicity.
| Franz Josef Haydn Trio No. 1 in C, Hob. IV/1 | |
|---|---|
| 1. | Allegro moderato |
| 2. | Andante |
| 3. | Finale: vivace |
| Franz Josef Haydn Trio No. 4 in G, Hob. IV/4 | |
| 4. | Allegro |
| Franz Josef Haydn Trio No. 2 in G, Hob. IV/2 | |
| 5. | Andante |
| 6. | Allegro |
| Franz Josef Haydn Trio No. 3 in G, Hob. IV/3 | |
| 7. | Spiritoso |
| 8. | Andante |
| 9. | Allegro |
| Carl Phillipp Stamitz Duetto No. 1 in D major | |
| 10. | Allegro |
| 11. | Romance |
| 12. | Un poco presto |
| Carl Phillipp Stamitz Trio No. 6 in G major | |
| 13. | Allegro |
| 14. | Andante poco moderato |
| 15. | Rondeau: allegro |
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