This is a new edition of "Messe de Minuit" by Marc-Antoine Charpentier for choirs of all sizes. It's scored for SATB, harpsichord, string quintet, two treble recorders, and works well with choir soloists.
SOPRANO PRACTICE TRACKS The practice tracks for the sopranos for this charming piece. The soprano line is clearly played by the piano with the other vocal & orchestral parts audible but in the background.
ALTO PRACTICE TRACKS The practice tracks for the altos for this charming piece. The alto line is clearly played by the piano with the other vocal & orchestral parts audible but in the background.
TENOR PRACTICE TRACKS The practice tracks for the tenors for this charming piece. The tenor line is clearly played by the piano with the other vocal & orchestral parts audible but in the background.
BASS PRACTICE TRACKS The practice tracks for the basses for this charming piece. The bass line is clearly played by the piano with the other vocal & orchestral parts audible but in the background.
For five-part strings (two cello parts). A short, toccata-like number, requiring some agility from all players. Good grade 5 upwards.
A short, reflective piece for players of intermediate skill.
For String Orchestra with divided cellos. An arrangement of this magnificent item from J.S,Bach's '48'.
i) March in D major, attributed to C.P.E.Bach ii) Aria 'Bist du bei Mir' from Stölzel's 'Diomede' both arranged for string orchestra (two cello parts)
String orchestra (divided cellos) or string quintet. Duration just under 2 minutes. Grade 6/7.
Keyboard work by J.S.Bach arranged for five-part string orchestra (divided cellos), or string quintet
Be the first to hear about new sheet music, special offers, downloads and CDs.
