The exercises in Clarinet Realities come from an holistic approach that can be applied to players across a wide range both in age and in ability. The object of the initial sessions is to know what the body feels like when a supported sound is produced. You can then reproduce that model so that you can create a supported sound whatever the circumstance.
We begin by working on supported breathing without playing initially and then move on to applying the supported breath technique to playing for the specially composed Creative Studies by Sarah Rodgers.
If you really want to improve your sound you can but you may have to change the way you are producing it now. Are you prepared to do that?
Read moreBernard Stevens Chamber Music performed by The Academy of St Martin in the Fields Chamber Ensemble
Music by Kerry Milan with Yvonne Howard nad the English Piano Trio
Soliloquy and Dialogue - sheet music for French horn and piano by Betty Roe
Gnossiennes - an arrangement for pedal harp of Satie's much loved short piano pieces
Eight short piano pieces in various moods
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